The Polymath Project | How Comedy works | Day 4
"With improv, it's a combination of listening and not trying to be funny"
Through this blog, I will be sharing my daily experiences and insights as I embark on this journey to become a polymath. I will be exploring a diverse range of topics, from science and technology to art and literature, and sharing my thoughts and observations along the way.
The Polymath ProjectHow Comedy Works:
My wife tells me I'm funny. My mom laughs every time we talk. Maybe I am funny. Or maybe they just love me too much. The only way I can figure out whether I am funny or not, is to find out how comedy works.
My earliest experiences with comedy all revolve around one of my elder brother. I remember laughing for hours with my cousins, sitting in circle around my bother, listening to his stories. He would narrate how something strange happened to him and it would seem so out of the world, and we would all tear up laughing. He is a fantastic storyteller, drawing everyone in from the start, engaging the emotions and always come up to the funniest plot twist. He always seemed so relaxed and in the moment. I can't even begin to fathom how he always managed to give such a high-energy delivery, integrating body language and facial expressions into all his stories.
I always aspired to someday be as good as him in story-telling.
"Comedy is just exaggerated reality."
The art and science of comedy encompass both the creative and analytical aspects of comedic performance:
Art of Comedy:
- The art of comedy refers to the
- expressive elements involved in
- crafting and
- delivering humorous content
- It involves the ability to
- create jokes
- write comedic material, and
- perform in a way that elicits laughter from the audience
- Some of the artistic techniques used in comedy are
- Comedic timing
- wordplay
- storytelling
- physicality, and
- improvisation
Science of Comedy:
- analytical and technical aspects of comedy
- exploring the underlying principles
- why people laugh
- delves into the
- psychological
- linguistic, and
- sociocultural factors that contribute to humor
- Understanding comedic structures
- comedic formulas
- audience psychology, and
- cultural context
The two main forms of comedy are stand-up comedy and improv comedy.
Origins of Improv:
- In USA
- It's origin is in relation to its use as a teaching tool.
- improv started as a way to teach children
- how to assimilate into the United States.
- In 1939, Viola Spolin, an actress and educator
- became a drama supervisor for the Recreational Project in Chicago
- she worked with children and recent immigrants
- people who had limited English proficiency
- traditional teaching methods were ineffective for these individuals
- Spolin turned to games and improvisation as a means of
- teaching language
- cooperation, socialization, and
- other important skills.
- She learned these techniques from Neva Boyd
- a sociologist and educational expert
- who believed in the power of play to facilitate learning.
- improv emerged out of the necessity to overcome language barriers
- In INDIA
- rich tradition of storytelling and performance arts
- including forms of improvisation and communication
- earliest recorded instances of improv-like storytelling
- found in the ancient Sanskrit text called the Naty Shastr
- Written by Bharat Muni around the 2nd century BCE
- Naty Shastr
- comprehensive treatise on the performing arts
- a section dedicated to "Ras Abhinay"
- involves the expression of emotions
- includes improvisational techniques for actors
- spontaneously portray different emotions and characters
- actors were expected to adapt to the reactions of the audience
- respond accordingly
- making it a form of interactive & improvisational storytelling
- Another significant form of improvisation
- found in the folk traditions
- in the state of Maharashtra
- traditional form of storytelling called "Tamasha"
- Tamasha performances involve
- combination of music, dance, and improvised dialogues
- the performers engage with the audience
- create humorous and entertaining narratives on the spot
- In South India
- classical dance form called "Kathakali"
- incorporates elements of improvisation
- Kathakali actors
- use codified gestures, facial expressions, and
- body movements
- portray characters from mythological stories
- the main storyline is predetermined
- there are sections within the performance where
- actors engage in extemporaneous dialogues & interactions
- showcasing their improvisational skills
Is Comedy (for example, Standup comedy) different from Impov comedy? Here are some key differences between stand-up comedy and improv comedy-
Preparation and Structure:
- Stand-Up Comedy:
- typically prepare and rehearse their material in advance
- create a structured set with carefully crafted jokes and stories
- often following a predetermined order or sequence
- Improv Comedy:
- perform without a pre-written script or planned material
- rely on spontaneous creation and collaboration
- building scenes, characters, and jokes
- on the spot based on audience suggestions or prompts
Control and Flexibility:
- Stand-Up Comedy:
- have greater control over their set
- can navigate the timing, delivery, and pacing of their jokes
- can adjust their performance based on audience reactions
- Improv Comedy:
- relinquish some control
- embrace the unpredictable nature of the performance
- adapt to unexpected suggestions
- incorporate the ideas of fellow performers
- respond to spontaneous audience interactions
How to be better at Improv?
-
Listen and respond #1-- listen carefully-- react to the information-- observe their actions
-
Yes, And.. #2-- most crucial rules of improv-- react positively to what they are saying-- build on the scenario
-
Follow your first instinct #3-- Be honest, embraces truth-- love, lust, anger, jealousy, skepticism—can be funny in a comedic scene-- Worry less about being funny-- focus on staying present in the scene
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